But Pham’s profession and itinerant past have also taught him to adapt. When he moved in with Brown in 2018, he brought with him little more than a collection of art books, some of which, to Brown’s horror, had been stripped of their dust jackets.
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“When he first came over, he was probably horrified,” Brown says of his partner, Duy Pham, a 34-year-old graphic designer who was born in Vietnam and lived in Canada for 10 years before living in a series of rental apartments in New York. And perched everywhere are antique taxidermy birds: a quail, a sparrow, two jays, a redheaded woodpecker and, enclosed by a tall glass dome, a yellow canary. In the living room, a built-in 1890s oak hutch is now a display case for the stylist’s bounty of crepe paper fruits and vegetables, which he bought from the beloved gift store Tail of the Yak in Berkeley, Calif. Hung salon-style on the walls of the small galley kitchen - a modern afterthought tacked on to the flat’s west wing when the house was converted into apartments in 2011 - are various pictures of food that Brown has picked up over the years (including a close-up of an English breakfast by the British photographer Martin Parr), brown-and-white 1880s-era transferware dishes and small shelves stacked with vintage sake cups from Japan. His possessions are exhibited in dense, ever-evolving arrangements that, in the style of a Renaissance-era Wunderkammer, overlook traditional distinctions of value or provenance in favor of sheer delight.
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In the living room, whose wide bay window peers onto a sea of untamed gardens to the south, he chose a grayish blush that ripens into a rosy shell pink at twilight for the compact jewel-box library, a deep Prussian blue and for the generously sized bedroom, whose shuttered windows face the quiet tree-lined street below, a comforting shade of clotted cream. But he repainted the walls to create atmospheric backdrops for his objects. He had been drawn to the building’s well-preserved 19th-century details and left the original pine-and-walnut marquetry floors and carved oak fireplace mantels untouched. Within weeks of Brown’s settling in, the apartment was almost unrecognizable. “I wish I could be one of those people who could buy a thing, live with it, throw it out and move on,” he says.
By the time the 59-year-old found his current home in 2013, a 1,000-square-foot, one-bedroom rental on the top floor of a brownstone in the Bedford-Stuyvesant neighborhood of Brooklyn, he needed a 20-foot truck to transport the goods he’d accumulated. sun-bleached sea turtle shells from a vacation in Maine. His first job, at 18, was dressing windows at the Richmond department store Thalhimers, and on the weekends he began collecting antique furniture and curiosities, a habit that continued into adulthood, as he worked as an interior stylist and retail art director, picking up treasures wherever he went: a 1920s lacquered gold Japanese screen from a stint living in Portland, Ore. By the age of 10, he had graduated to Goofus glass vases - cold-painted trinkets produced in the early 20th century that were often given as fairground prizes - and old-fashioned spectacle frames he’d find at local flea markets. AS A CHILD in Virginia, Michael Brown collected birds’ nests, stamps and mounted beetles and butterflies.
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